{"id":256,"date":"2015-07-03T19:52:56","date_gmt":"2015-07-03T19:52:56","guid":{"rendered":"http:\/\/ico.bukvic.net\/main\/?page_id=256"},"modified":"2023-01-23T21:07:53","modified_gmt":"2023-01-23T21:07:53","slug":"publications","status":"publish","type":"page","link":"https:\/\/ico.bukvic.net\/main\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"<p>Digital copies of select papers also available on&nbsp;<a href=\"http:\/\/www.researchgate.net\/profile\/Ivica_Bukvic\">ResearchGate<\/a>.<\/p>\n<p><strong>CONFERENCE PROCEEDINGS<\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/doi.org\/10.21428\/92fbeb44.a0a8d914\">I. Bukvic, \u201cLatency-, Sync-, and Bandwidth-Agnostic Tightly-Timed Telematic and Crowdsourced Musicking Made Possible Using L2Ork Tweeter,\u201d New Interfaces for Musical Expression, the University of Auckland, New Zealand, 2022.<\/a> [international]<\/li>\n<li><a href=\"https:\/\/dl.acm.org\/doi\/10.1145\/3411109.3411134\">*D. Sardana, *W. Joo, I. I. Bukvic, and G. Earle, \u201cPerception of spatial data properties in an immersive multi-layered auditory environment,\u201d in Proceedings of the 15th International Conference on Audio Mostly, New York, NY, USA, Sep. 2020, pp. 30\u201337, doi: 10.1145\/3411109.3411134.<\/a> [international]<\/li>\n<li><a href=\"https:\/\/dl.acm.org\/doi\/10.1145\/3411109.3411110\">*K. Tsoukalas, Joseph R. Kubalak, and I. I. Bukvic, \u201cThe impact of scaling the production of a new interface for musical expression on its design: a story of L2Orkmotes,\u201d in Proceedings of the 15th International Conference on Audio Mostly, New York, NY, USA, Sep. 2020, pp. 138\u2013145. doi: 10.1145\/3411109.3411110<\/a> [international]<\/li>\n<li><a href=\"https:\/\/www.nime.org\/proceedings\/2020\/nime2020_paper47.pdf\">I. Bukvic, *D. Sardana, and *W. Joo. 2020. New Interfaces for Spatial Musical Expression. Proceedings of the International Conference on New Interfaces for Musical Expression, Birmingham City University, pp. 249\u2013254.<\/a> [international]<\/li>\n<li><a href=\"https:\/\/smartech.gatech.edu\/handle\/1853\/61498\">I. Bukvic, G. Earle, *D. Sardana, and W. Joo, \u201cSTUDIES IN SPATIAL AURAL PERCEPTION: ESTABLISHING FOUNDATIONS FOR IMMERSIVE SONIFICATION,\u201d International Conference on Auditory Display, Newcastle upon Tyne, United Kingdom, 2019.<\/a> [international]<\/li>\n<li><a href=\"https:\/\/doi.org\/10.5281\/zenodo.3672946\">*D. Sardana, *W. Joo, I. I. Bukvic, and G. Earle, \u201cIntroducing Locus: a NIME for Immersive Exocentric Aural Environments,\u201d New Interfaces for Musical Expression, Porto Alegre, Brazil, 2019, pp. 250-255.<\/a> [international]<\/li>\n<li><a href=\"https:\/\/link.springer.com\/article\/10.1007\/s10055-019-00382-0\">S. Narayanan, N. Polys, and I. I. Bukvic, \u201cCinemacraft: exploring fidelity cues in collaborative virtual world interactions,\u201d <i>Virtual Reality<\/i>, Apr. 2019.<\/a> [international]<\/li>\n<li><a href=\"https:\/\/drive.google.com\/open?id=136IJf9dA6apbKhzAmXiwJGQFSVgGWlPL\">I. Bukvic and A. Ogier, \u201cCOMPEL: A Crowdsourced Community-Building Repository for Reproducible Computer Music,\u201d International Computer Music Conference, Daegu, Korea, 2018, pp. 130-133.<\/a> [international]<\/li>\n<li><a href=\"https:\/\/smartech.gatech.edu\/handle\/1853\/60083\">I. Bukvic and G. Earle, \u201cREIMAGINING HUMAN CAPACITY FOR LOCATION-AWARE AUDIO PATTERN RECOGNITION: A CASE FOR IMMERSIVE EXOCENTRIC SONIFICATION,\u201d International Conference on Auditory Displays, Houghton, Michigan, 2018, pp. 153-159.<\/a> [international]<\/li>\n<li><a href=\"http:\/\/www.nime.org\/proceedings\/2018\/nime2018_paper0046.pdf\">*K. Tsoukalas, and I. Bukvic, \u201cIntroducing a K-12 Mechatronic NIME Kit,\u201d New Interfaces for Musical Expression, Blacksburg, Virginia, 2018, pp. 206-209.<\/a> [international]<\/li>\n<li><a href=\"http:\/\/www.nime.org\/proceedings\/2018\/nime2018_paper0059.pdf\">*K. Tsoukalas, J. *Kubalak, and I. Bukvic, \u201cL2OrkMote: Reimagining a Low-Cost Wearable Controller for a Live Gesture-Centric Music Performance,\u201d New Interfaces for Musical Expression, Blacksburg, Virginia, 2018, pp. 275-280.<\/a> [international]<\/li>\n<li><a href=\"https:\/\/quod.lib.umich.edu\/i\/icmc\/bbp2372.2017.065\/--cinemacraft-immersive-live-machinima-as-an-empathetic?view=image\">*S. Narayanan, and I. Bukvic, \u201cCinemacraft: Immersive Live Machinima as an Empathetic Musical Storytelling Platform,\u201d International Computer Music Conference, Shanghai, China, 2017, pp. 384-389.<\/a> [international]<\/li>\n<li>M. Wagner, I. Bukvic, and D. Webster, \u201cUsing Immersive Digital Environments to Evaluate the Effectiveness of Multi-Sensory Responsive Surfaces,\u201d Architectural Research Centers Consortium Conference: Architecture of Complexity, Salt Lake City, Utah, 2017, pp. 212-221. [international]<\/li>\n<li><a href=\"http:\/\/www.nime.org\/archives\/\">I. Bukvic and *S. Lee, \u201cGlasstra: Exploring the Use of an Inconspicuous Head Mounted Display in a Live Technology-Mediated Music Performance,\u201d New Interfaces for Musical Expression, Copenhagen, Denmark, 2017, pp. 313-318.<\/a> [international]<\/li>\n<li><a href=\"https:\/\/musinf.univ-st-etienne.fr\/lac2017\/pdfs\/19_C_C_137956.pdf\">I. Bukvic, A. Gr\u00e4f, and J. Wilkes, \u201cMeet the Cat: Pd-L2Ork and its New Cross-Platform Version \u2018Purr Data\u2019,\u201d Linux Audio Conference, Saint-Etienne, France, 2017.<\/a> [international]<\/li>\n<li><a href=\"https:\/\/www.researchgate.net\/publication\/311206059_Latest_developments_with_Pd-L2Ork_and_its_Development_Branch_Purr-Data\">I. Bukvic, J. Wilkes, and A. Gr\u00e4f, &#8220;Latest developments with Pd-L2Ork and its Development Branch Purr-Data,\u201d PdCon, New York, New York, 2016.<\/a> [international]<\/li>\n<li><a href=\"https:\/\/quod.lib.umich.edu\/cgi\/p\/pod\/dod-idx\/introducing-d4-an-interactive-3d-audio-rapid-prototyping.pdf?c=icmc;idno=bbp2372.2016.096;format=pdf\">I. Bukvic, \u201cIntroducing D4: an Interactive 3D Audio Rapid Prototyping and Transportable Rendering Environment Using High Density Loudspeaker Arrays,\u201d International Computer Music Conference, Utrecht, Netherlands, 2016, pp. 496-500.<\/a> [international]<\/li>\n<li><a href=\"https:\/\/www.duo.uio.no\/bitstream\/handle\/10852\/50604\/nime2016_mcpherson_et_al.pdf?sequence=1\">A. McPherson, E. Berdahl, A. Jensenius, M. Lyons, I. Bukvic, and A. Knudsen, \u201cNIMEhub: Toward a Repository for Sharing and Archiving Instrument Designs,\u201d New Interfaces for Musical Expression, Brisbane, Australia, 2016.<\/a> [international]<\/li>\n<li><a href=\"https:\/\/smartech.gatech.edu\/handle\/1853\/56592\">I. Bukvic, \u201c3D TIME-BASED AURAL DATA REPRESENTATION USING D4 LIBRARY\u2019S LAYER BASED AMPLITUDE PANNING ALGORITHM,\u201d International Conference on Auditory Displays, Canberra, Australia, 2016.<\/a> [international]<\/li>\n<li><a href=\"https:\/\/smartech.gatech.edu\/handle\/1853\/54098\">I. Bukvic and *M. Matthews, \u201cAEGIS AUDIO ENGINE: INTEGRATING A REAL-TIME ANALOG SIGNAL PROCESSING, PATTERN RECOGNITION, AND A PROCEDURAL SOUNDTRACK IN A LIVE TWELVE-PERFOMER SPECTACLE WITH CROWD PARTICIPATION,\u201d International Conference on Auditory Displays, Graz, Austria, 2015, pp. 35-42.<\/a> [international]<\/li>\n<li><a href=\"http:\/\/delivery.acm.org\/10.1145\/2780000\/2775317\/p171-polys.pdf?ip=45.3.73.194&amp;id=2775317&amp;acc=ACTIVE%20SERVICE&amp;key=B33240AC40EC9E30%2E80AE0C8B3B97B250%2E4D4702B0C3E38B35%2E4D4702B0C3E38B35&amp;__acm__=1540235248_d62ceb7d6ff0ecd3d066cb5d07345b9c\">N. Polys, B. Knapp, C. Lidwin, D. Webster, N. Waggoner, and I. Bukvic, \u201cFusality: an open framework for cross-platform mirror world installations,\u201d New York, NY: 20th International Conference on 3D Web Technology (Web3D \u201915), 2015, pp. 171-179.<\/a> [international]<\/li>\n<li><a href=\"https:\/\/quod.lib.umich.edu\/i\/icmc\/bbp2372.2014.036\/1\/--operacraft-blurring-the-lines-between-real-and-virtual?page=root;size=150;view=text\">I. Bukvic, *C. Cahoon, A. Wyatt, T. Cowden, and K. Dredger, \u201cOPERAcraft: Blurring the Lines between Real and Virtual,\u201d International Computer Music Conference, Athens, Greece, 2014, pp. 228-235.<\/a> [international]<\/li>\n<li><a href=\"http:\/\/www.nime.org\/proceedings\/2014\/nime2014_377.pdf\">I. Bukvic, \u201cPd-L2Ork Raspberry Pi Toolkit as a Comprehensive Arduino Alternative in K-12 and Production Scenarios,\u201d New Interfaces for Musical Expression. London, United Kingdom, 2014, pp. 163-166.<\/a> [international]<\/li>\n<li><a href=\"http:\/\/nime.org\/proceedings\/2013\/nime2013_192.pdf\">B. Bortz, A. Ishida, I. Bukvic, and B. Knapp, \u201cLantern Field: Exploring Participatory Design of a Communal, Spatially Responsive Installation,\u201d New Interfaces for Music Expression. Seoul, Korea: NIME, 2013, pp. 73-38.<\/a> [international]<\/li>\n<li><a href=\"https:\/\/dl.acm.org\/citation.cfm?id=2445392\">B. Sawyer, J. Forsyth, *T. O\u2019Connor, B. Bortz, T. Finn, L. Baum, I. Bukvic, B. Knapp, and D. Webster, \u201cForm, function and performances in a musical instrument Makers camp,\u201d ACM Special Interest Group on Computer Science Education, Denver, Colorado: ACM, 2013, pp. 669-674.<\/a> [international]<\/li>\n<li><a href=\"http:\/\/www.nime.org\/proceedings\/2012\/nime2012_315.pdf\">I. Bukvic, L. Baum, *B. Layman, and *W. Kendall, \u201cGranular Learning Objects for Instrument Design and Collaborative Performance in K-12 Education,\u201d New Interfaces for Musical Expression, Ann Arbor, Michigan: NIME, 2012, pp. 344-346.<\/a> [international]<\/li>\n<li><a href=\"http:\/\/lac.linuxaudio.org\/2012\/papers\/33.pdf\">I. Bukvic, \u201cA Behind-the-Scenes Peek at World&#8217;s First Linux-Based Laptop Orchestra \u2013 The Design of L2Ork Infrastructure and Lessons Learned,\u201d Linux Audio Conference, Stanford, California, 2012, pp. 55-60.<\/a> [international]<\/li>\n<li><a href=\"http:\/\/ico.music.vt.edu\/PDF\/SLEO-Paper%2352-Bukvic.pdf\">I. Bukvic and M. Komelski, \u201cStrategies for Structured *Ork Performance Choreography: Integrating Taiji Martial Arts into L2Ork Repertoire,\u201d Symposium for Laptop Ensembles and Orchestras, Baton Rouge, Louisiana, 2012.<\/a> [international]<\/li>\n<li><a href=\"https:\/\/quod.lib.umich.edu\/cgi\/p\/pod\/dod-idx\/using-gaming-engine-for-virtual-prototyping-and-impact.pdf?c=icmc;idno=bbp2372.2011.106;format=pdf\">I. Bukvic and S. Betz, \u201cUSING GAMING ENGINE FOR VIRTUAL PROTOTYPING AND IMPACT ASSESSMENT OF COMPLEX INTERACTIVE ART INSTALLATIONS,\u201d International Computer Music Conference, Huddersfield, England: International Computer Music Association, 2011, pp. 527-531.<\/a> [international]<\/li>\n<li><a href=\"http:\/\/ico.bukvic.net\/PDF\/Bukvic_SEAMUS2011.pdf\">I. Bukvic, T. Martin, and *Michael Matthews. \u201cMoving Beyond Academia Through Open Source Solutions\u2013Introducing L2Ork, Virginia Tech\u2019s Linux Laptop Orchestra.\u201d Society for Electro-Acoustic Music in the United States conference, Miami, Florida, 2011.<\/a><\/li>\n<li><a href=\"http:\/\/www.nime.org\/proceedings\/2010\/nime2010_170.pdf\">I. Bukvic, T. Martin, E. Standley, and *M. Matthews, \u201cIntroducing L2Ork: Linux Laptop Orchestra,\u201d New Interfaces for Musical Expression, Sydney, Australia: NIME, 2010, pp. 170-173.<\/a> [international]<\/li>\n<li><a href=\"http:\/\/quod.lib.umich.edu\/cgi\/p\/pod\/dod-idx\/perception-and-interpretation-of-concurrent-aural-shapes.pdf?c=icmc;idno=bbp2372.2010.128\">I. Bukvic and *J. Kim, \u201cPERCEPTION AND INTERPRETATION OF CONCURRENT AURAL SHAPES USING DREAM INTERFACE,\u201d International Computer Music Conference, Stony Brook, New York: International Computer Music Association, 2010, pp. 542-545.<\/a> [international]<\/li>\n<li><a href=\"http:\/\/ico.bukvic.net\/PDF\/mu.pdf\">I. Bukvic, I. and *J. Kim, \u201c\u00b5 MAX-UNITY3D INTEROPERABILITY TOOLKIT. International Computer Music Conference\u201d, Montreal, Canada: International Computer Music Association, 2009, pp. 375-378.<\/a> [international]<\/li>\n<li>*K. Hussein, E. Tilevich, I. Bukvic and *S. Kim, \u201cSonification design guidelines to enhance program comprehension,\u201d IEEE\u2019s International Conference on Program Comprehension, Vancouver, Canada: IEEE, 2009, pp. 120-129. [international]<\/li>\n<li><a href=\"http:\/\/ico.bukvic.net\/PDF\/ICMC_Dream_Final.pdf\">I. Bukvic, D. Gracanin, and F. Quek, \u201cInvestigating artistic potential of the DREAM interface: The Aural Painting,\u201d International Computer Music Conference, Belfast, United Kingdom: International Computer Music Association, 2008, pp. 475-482.<\/a> [international]<\/li>\n<li><a href=\"http:\/\/ico.music.vt.edu\/PDF\/ICMC2007_munger1.pdf\">I. Bukvic, *J. Kim, D. Trueman, and T. Grill, \u201cmunger1~: TOWARDS A CROSS-PLATFORM SWISS-ARMY KNIFE OF REAL-TIME GRANULAR SYNTHESIS,\u201d International Computer Music Conference, Copenhagen, Denmark: International Computer Music Association, 2007, pp. 349-354.<\/a> [international]<\/li>\n<li>I. Bukvic, \u201cMade in Linux \u2014 The Next Step,\u201d Linux Audio Conference proceedings, Karlsruhe, Germany, 2005.<\/li>\n<li>I. Bukvic, \u201cThe 0th Sound,\u201d published in proceedings for the SPARK festival, Minnesota, 2005.<\/li>\n<li>I. Bukvic, \u201cLinux as a Mature Digital Audio Workstation in Academic Electroacoustic Studios \u2013 Is Linux Ready for Prime Time,\u201d Proceedings of the International Computer Music Conference, Miami, Florida, 2004.<\/li>\n<li>M. Helmuth, I. Bukvic, M. Schedel, and J. Bernard. \u201cUniversity of Cincinnati, College-Conservatory of Music Center for Computer Music &#8211; (CCM)2 in 2004,\u201d International Computer Music Conference, Miami, Florida, 2004.<\/li>\n<li><a href=\"http:\/\/journals.cambridge.org\/action\/displayAbstract?fromPage=online&amp;aid=163254\">I. Bukvic, \u201cRTMix \u2013 towards a standardized interactive electroacoustic art performance interface.\u201d Organised Sound Vol.7 No.3 (December 2002), pp. 275-286.<\/a><\/li>\n<li><a href=\"http:\/\/www.wseas.us\/e-library\/conferences\/joint2002\/452-136.pdf\">I. Bukvic, \u201cMaking Interactive Electroacoustic Music with Computer through the Use of RTMix &#8211; a Real-Time Interactive Electroacoustic Music Performance, Composition, and Coaching Interface,\u201d WSEAS International Conference on Electronics, Control &amp; Signal Processing, Singapore, 2002.<\/a><\/li>\n<li><a href=\"http:\/\/hdl.handle.net\/2027\/spo.bbp2372.2002.017\">I. Bukvic, \u201cRTMix: a Real-Time Interactive Electroacoustic Music Performance, Composition, and Coaching Interface.\u201d Proceedings of the International Computer Music Conference, 2002, pp. 79-82.<\/a><\/li>\n<\/ul>\n<p><strong>JOURNALS<\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/ico.bukvic.net\/PDF\/Operacraft_Journal_2018.pdf\">A. Wyatt, T. Cowden, I. Bukvic, K. and Dredger, \u201cOPERAcraft: Opera outreach for the 21st Century,\u201d National Opera Association Opera Journal. 2018.<\/a> [national]<\/li>\n<li><a href=\"https:\/\/www.mitpressjournals.org\/doi\/pdf\/10.1162\/COMJ_a_00394\">E. Lyon, T. Caulkins, D. Blount, I. Bukvic, C. Nichols, M. Roan, and T. Upthegrove, \u201cGenesis of the Cube: The Design and Deployment of an HDLA-Based Performance and Research Facility,\u201d Computer Music Journal, Winter 2016, Vol. 40, no. 4, pp. 62-78.<\/a> [international]<\/li>\n<li><a href=\"https:\/\/ieeexplore.ieee.org\/document\/7412652\">D. Webster, and I. Bukvic, \u201cSmall Data, Big Impact,\u201d IEEE Multimedia, vol. 23, no. 1, pp. 6-9, 2016.<\/a> [international]<\/li>\n<\/ul>\n<p><strong>BOOK CHAPTERS<\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.routledge.com\/Foundations-in-Sound-Design-for-Embedded-Media-A-Multidisciplinary-Approach\/Filimowicz\/p\/book\/9781138093898\">I. Bukvic, \u201cIntroduction to Sonification,\u201d in Foundations in Sound Design for Embedded Media, M. Filimowicz, Ed. Routledge, 2019.<\/a><\/li>\n<li>K. Dredger, A. Wyatt, T. Cowden, I. Bukvic, and K. Parkes, \u201cMinecraft opera: Intersections of creative narrative, music, and video games,\u201d In Writing in the Performing and Visual Arts: Creating, Performing, and Teaching, S. Corbett, T. Decker, and B. Cooper, Eds., Across the Disciplines (ATD publishers), 2018.<\/li>\n<\/ul>\n<h4><\/h4>\n<p><strong>OTHER<\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/constructedenvironment.com\/journal\">M. Wagner, I. Bukvic, and D. Webster, \u201cUsing Immersive Digital Environments to Design a Responsive Surface for Educational Multi-Use Spaces,\u201d The International Journal of the Constructed Environment Special Issue: Urban Regeneration in Contemporary Crisis, 2017.<\/a><\/li>\n<li><a href=\"https:\/\/www.uel.ac.uk\/Events\/2017\/March\/Between-data-and-senses\">M. Wagner, I. Bukvic, and D. Webster, \u201cImmersive Data Visualization Informs the Design of a Responsive Surface,\u201d Between Data and Senses: Architecture, Neuroscience and the Digital Worlds, 2017.<\/a><\/li>\n<li>M. Wagner, I. Bukvic, and D. Webster, \u201cUsing Immersive Digital Environments to Design a Responsive Surface for Educational Multi-Use Spaces,\u201dSeventh International Conference on the Constructed Environment, Krakow, Poland, 2017.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Digital copies of select papers also available on&nbsp;ResearchGate. CONFERENCE PROCEEDINGS I. Bukvic, \u201cLatency-, Sync-, and Bandwidth-Agnostic Tightly-Timed Telematic and Crowdsourced Musicking Made Possible Using L2Ork Tweeter,\u201d New Interfaces for Musical Expression, the University of Auckland, New Zealand, 2022. [international] *D. Sardana, *W. Joo, I. I. Bukvic, and G. Earle, \u201cPerception of spatial data properties in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":700,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-fullwidth.php","meta":{"footnotes":""},"class_list":["post-256","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/ico.bukvic.net\/main\/wp-json\/wp\/v2\/pages\/256","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ico.bukvic.net\/main\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ico.bukvic.net\/main\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ico.bukvic.net\/main\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ico.bukvic.net\/main\/wp-json\/wp\/v2\/comments?post=256"}],"version-history":[{"count":54,"href":"https:\/\/ico.bukvic.net\/main\/wp-json\/wp\/v2\/pages\/256\/revisions"}],"predecessor-version":[{"id":2356,"href":"https:\/\/ico.bukvic.net\/main\/wp-json\/wp\/v2\/pages\/256\/revisions\/2356"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ico.bukvic.net\/main\/wp-json\/wp\/v2\/media\/700"}],"wp:attachment":[{"href":"https:\/\/ico.bukvic.net\/main\/wp-json\/wp\/v2\/media?parent=256"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}